THERE ARE NO BAD NOTES, ARE YOU F@CKING KIDDING ME??
A question asked by...Lucy V Hay. Script Editor | Bestselling Author | Story Coach | Structure, Genre & Character Specialist | Trusted by Oscar-Winning Creatives on Linkedin. I start with a belief that there are too many playwrights and not enough opportunities. But that is the least of our worries. More importantly, I was keen to share my experience Two local opportunities: one - a call out for plays to work with local writers, where I got a Dear John. It wasn’t even that, just Dear…, no reasons why or even how the play could be developed. The fact that I was in discussions with them, for me to self-produce, puts that in doubt. Will there even be time on the calender? A local competition that would have hundreds and hundreds of entries, even from Australia and the US!!! But they were a small group of voluntary readers and couldn’t possibly read them all. 🤐🤫🤐🤫 The third example was for a well-k...